Its bones are at different heights, with the fibula on the outer side (*) being lower.įigure D is a back view of the knee. B) that create the contour of the leg (side view).Īnother interesting detail about the leg:īetween the hip bone and the femur, a space can be seen as an indentation in the skin, mainly in men with less muscle mass in that area. Notice the slight inclination in the femur from the hip to the knee, and the curves (fig. To achieve a balance in your drawings, be sure to have rhythm. The legs should support the body and give it the balance it needs, but there is a detail that sometimes escapes us: the legs are not a completely vertical line. You can use it as a reference point to locate the orientation of the arm in your drawings. Some artists draw part of the forearm as a box to define its volume (3).Ĭan you see a tiny lump just behind your wrist? (4) It is part of the ulna. These bones cross to allow the rotation of the wrist. In the forearm you will find the radius (1) and the ulna (2). The humerus is in the upper part of the arm (A), a long and strong bone that connects to the elbow and articulates the forearm (B). Limbs can move in many ways, but knowing their anatomy and limitations will save us from drawing unrealistic positions (or bone-breaking poses, ouch!). Note that female hips are generally wider than male hips - one of the main body shape differences. On the back, these two dimples at the end of the spine, before reaching the buttocks, will help us identify the sacrum (2). The ilium (1) will guide you to draw the angles of the hip. On both sides you can see the ilium (2) and the pubis (3) in the front.Īs these are somewhat irregular bones, I like to simplify them by drawing a pair of discs for the ilium and the sacrum as an inverted triangle. The pelvis is located at the end of the torso, connected to the lumbar spine from the sacrum (1). The shape of the back changes following the movements of these bones. They are triangle shaped and help move the arms. In the back, you will find the scapulae or shoulder blades. Every time the arms move, they will change direction. You can think of them as shoulder support. The clavicles (3) are like a bicycle handlebar. The sternum (2) closes this structure in the front, creating, with the spine, an imaginary line that divides the body into two. You can draw it in many ways, but I like to give it an oblong shape resembling ribs (1). The dorsal spine is the part that connects to the arms. In the center of these muscles is the Adam’s apple, which is more prominent in men (4). The most visible one has an extremely long name (sternocleidomastoid!), but you can easily recognize it by its V shape, parting from the ear to the center of the clavicles (3). There are a variety of muscles that operate the movement of the head. In the neck, the cervical spine (1) is located just behind the jaw (2). Lumbar spine - a little before the pelvis, connected to the sacrum.Dorsal or thoracic spine - supports the ribs.Cervical spine - supports and provides mobility to the head.Let’s divide it up into three parts to see it better: Its form makes the pelvis and the rib cage tilt slightly. Its vertical shape differentiates humans from other species. The spine is the body’s support and also allows motion in the torso. Let’s start with the building blocks of the human figure: Anatomy is a challenging subject, but I hope that this article can be a quick guide for you and get you in the mood to keep learning. This article has been viewed 996,123 times.The key to improving your drawings is to do your best and put your heart into your art. There are 12 references cited in this article, which can be found at the bottom of the page. She also teaches at the Boca Raton Museum Art School - formerly at SVA in Manhattan. Renée has even painted a portrait of celebrity, Vanilla Ice. She has garnered numerous awards including “Artist of the Year” from The Bloomfield Art League and First Prize from the Boca Raton Museum Artist’s Guild. Renée is featured in over 68 shows and galleries including a one-woman museum show at the Paterson Museum. She has studied under internationally renowned portrait artists John Howard Sanden, David Leffel, Robert Beverly Hale, Clyde Smith, and Leonid Gervits. With over 50 years of experience, Renée specializes in painting realistically in oil and capturing the soul of the person. Renée Plevy is an Internationally Acclaimed Portrait Artist from New York/Palm Beach who has painted The Grand Dames of Palm Beach and various celebrities and community leaders. This article was co-authored by Renée Plevy and by wikiHow staff writer, Jessica Gibson.
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